Culture, style, and media — the stories, sounds, and scenes shaping the conversation.

Japan’s presence at the 2026 Annecy Animation Festival marks a recent high-water mark, with 25 Japanese films selected across the festival’s competitive and non-competitive sections – up from 18 last year – as the country’s industry bodies simultaneously consolidate their MIFA fo

In 2025, animation features ruled the box-office, from long-awaited sequels (“Zootopia 2”) to original streaming megahits (“KPop Demon Hunters”). Behind the scenes, the success of these seasoned directors and newfound talents reveals an ongoing audience appetite for bold artistic

Five documentary films are competing for the Golden Goblet Award in the Documentary category at the 28th Shanghai International Film Festival, with the creative teams behind all five nominees gathering for a press meeting. The five contenders – Spain’s “Benigno,” Chinese producti

“Slow Horses” may be headed by Gary Oldman’s dishevelled MI5 agent Jackson Lamb but it was Roddy Ho, played by Christopher Chung, who took the reins in Season 5. The clueless computer nerd with an outsized attitude finally got a storyline matching his main character energy when h

The 28th Shanghai International Film Festival’s SIFF ING section wrapped its new Mobile Filmmaking Camp, with 10 short films shot entirely on iPhone by emerging Chinese directors screened both on-site in Shanghai and online. Launched as a new featured initiative within the 2026 S

H.E.R., Bini, Lea Salonga and Katseye’s Sophia Laforteza are among the artists leading the soundtrack on Dreamworks Animation’s “Forgotten Island.” The film, which is set to preview at next week’s Annecy Animation Film Festival, will open in theaters later this year. It follows H

One of the great secret weapons of American film and TV in recent years, solid-gold supporting actor Bill Camp gets a rare and fascinating leading showcase in “Ponderosa” — though in committing to Rob Rice’s quietly sinister and wildly peculiar black comedy, no one could accuse h

“Dancing With the Stars” is not like any other reality show. It’s real. That’s the message winner-turned-host Alfonso Ribeiro sends when discussing the competition series. “We’re creating a safe space — a space where we’re allowing our celebrities to share their true heart,” says

Blink49’s branded entertainment division, Brand Studio, recently launched a vertical video division — and it has just announced its first project in the space. “Murder at the Mansion,” described as an “original vertical micro-drama designed for mobile-first audiences,” is set for